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Swayze in particular is a fascinating casting choice for the role, bringing his trained dancer’s physicality to the ass-kicking contest and winning over and over again. Lynch is one of the few humans alive at the time who could hold up her end of a nude scene with a Swayze in that condition. Elliott, meanwhile, has had every woman I know who’s watched this movie reacting like a wolf in a Tex Avery cartoon.
Road House Is Continuing A Surprisingly Positive 9-Year Patrick Swayze Remake Trend - Screen Rant
Road House Is Continuing A Surprisingly Positive 9-Year Patrick Swayze Remake Trend.
Posted: Mon, 22 Apr 2024 23:15:00 GMT [source]
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Struggling to get by on his reputation, Dalton catches the eye of Frankie (Jessica Williams), who owns a roadhouse in the picturesque Florida Keys. She recruits him as her new bouncer, aiming to protect her cherished establishment from a ruthless gang under the command of the local criminal overlord, Brandt (Billy Magnussen). In the era of action films like John Wick, the bar for adrenaline-fueled entertainment has been set high.
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Enraged, Dalton kills one of the thugs responsible and captures a sheriff's deputy making a large delivery of Brandt's illicit cash, framing the deputy for the murder and taking the money. The sheriff soon informs Dalton that Brandt has kidnapped Ellie and will exchange her for the money. While a production start date has not been set, MGM higher-ups reportedly see the project as a priority for the studio. No deals have been signed with Gyllenhaal or Liman yet, though the two are in active talks.
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However, once he’s there, he discovers that this paradise is not all it seems. Extraordinarily stupid, sure, in that it involves a lot of drunken yokels being socked in the jaw and tossed through tables. But cinematographer Dean Cundey (Jurassic Park, Back to the Future) and editors John F. Link (Die Hard, Predator) and Frank J. Uribe (RoboCop, Basic Instinct) made it a work of art.
Instead of a tony NYC nightclub, we kick off in Anywhere, USA’s underground fight club circuit, where Frankie (Jessica Williams) is looking to hire some out-of-town help. She’s been tipped off that the heavily tattooed slugger (yes, that is indeed Post Malone) wiping the floor with all comers may be the person she’s looking for. The person who attracts her attention, however, is the mystery man in the hoodie who’s just entered the makeshift ring. “Shrinking” star Jessica Williams, who confirmed to Variety last summer she’d be joining the cast, plays the roadhouse owner.
This might seem heavier than you’re expecting but Dalton’s brief low moment is well-calibrated. Swayze’s Dalton was also haunted by his past mistakes but that film’s lighter atmosphere isn’t conducive to too much emotionality. Since Liman’s film, with a script by Anthony Bagarozzi and Charles Mondry, streamlines some of the original “Road House” campiness, there’s some atmospheric wiggle room for Gyllenhaal’s Dalton to show us what he’s feeling and to sit in it. But Road House is known as the best bad movie of all time because of the considerable chops involved in making it. Romantic leads Swayze and Kelly Lynch were coming in hot off sexy performances in the smash hits Dirty Dancing and Cocktail, and they look every inch the babes they’re supposed to be.
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Meanwhile, the new Dalton—a disgraced UFC fighter rather than a world-famous bouncer—punches people in the head in undisguised closeups that, even once seen, can barely be believed. Computer trickery is involved for sure, but even so, if you’ve seen enough fights to know what CTE is, this is nightmarish stuff. Though two hours long, the movie moves as swiftly as a greased ferret through a Habitrail and delivers hallucinatory action highs for its extended climax. Road House is a 2024 American action film directed by Doug Liman, written by Anthony Bagarozzi and Chuck Mondry and produced by Joel Silver.
MGM is ramping up speed on its remake of “Road House,” with Jake Gyllenhaal in talks to star and director Doug Liman circling the project. This material may not be published, broadcast, rewritten, or redistributed. Gyllenhaal leads the ensemble cast, which also includes Daniela Melchior, Billy Magnussen, Jessica Williams, Joaquim de Almeida and Lukas Gage. Released on Jan. 25, the first trailer for “Road House” introduces viewers to Dalton, the former UFC fighter who has a tendency to get in brawls with multiple men. Doug Liman will direct the film from a script by The Nice Guys writer Anthony Bagarozzi and Charles Mondry.
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And when it comes to remakes, there exists a fine line that must be walked between regard for the original and fresh perspectives. While there are a few improvements to Doc’s backstory in the script — and Doc is given a lot more to do — Melchior seems ill-equipped to make the already abbreviated romance even slightly believable. Gyllenhaal’s cheekiness is misplaced next to Melchior’s grounded stoicism and the two often feel like they’re in different movies. But for all its attempts to recapture the B-movie spirit of the original, this Road House winds up stuck somewhere in the middle, caught between unironic '80s homage and a more wised-up contemporary sensibility. In the first Road House, there was nearly as much free-flowing sex as there was violence; here, the violence has been amped up to even more bone-crunching extremes, while the sole instance of nudity is played strictly for laughs. And some of the dialogue feels too arch and knowing, like when a friendly local compares Dalton to a character in a Western.
As Liman and screenwriters Anthony Bagarozzi and Charles Mondry navigate the waters of remaking a film like Road House, it illustrates precisely what is at stake in these kinds of endeavors. In spite of a few flashes of technical brilliance in its action sequences and a few tries made by its cast, this rebuilt Road House stands as a testament to just how difficult it is to capture lightning in a bottle. Gyllenhaal is here made to navigate a character who, despite a backstory crafted for complexity, comes across one-dimensionally. That’s not for want of trying on Gyllenhaal’s part, but rather the result of a script that never digs deep enough for the audience to fully explore or exploit the depth of Dalton’s inner turmoil. The result is a performance that feels removed from the emotional stakes at play and makes Dalton more of a caricature than a three-dimensional figure. Central to the movie is Gyllenhaal’s Dalton, a former UFC brawler grappling with his past.
Mostly, people go there to drink and have fun (and to listen to live music—the songs on the movie’s soundtrack range from zydeco to slinky R&B to bar-band raveups). But recently, a tough motorcycle gang has been causing trouble there. On his first night of employment Dalton takes them all on, one by one—breaking arms, butting foreheads, sending bodies flying with jujutsu twirls—and later drives them down the road to the hospital.
Gyllenhaal stars as Dalton, an ex-UFC fighter who is hired as a bouncer at a roadhouse in the Florida Keys. Dalton works with the owner, Frankie (Jessica Williams), to stop a crime boss and his gang from destroying the bar. Described as an “adrenaline-fueled reimagining" of the "cult classic,” “Road House” follows ex-UFC fighter Dalton (Gyllenhaal) after he takes a job as a bouncer at a Florida Keys roadhouse.
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